Mario del Monaco – Die Walkure
Thursday, April 7th, 2011 at
3:49 am
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Mario del Monaco war der bei weitem größte Tenor,der je gelebt hat! Dabei ist es völlig gleichgültig,daß eein Deutsch nicht das Beste ist – was zählt ist einzig und allein diese unglaublich metallische Stimme.Außerdem,welcher italienische Tenor hat sich sonst noch an Wagner getraut?
@malfada22 – Tastes are different! It is not a question of taste, that you obviously don’t know what you are talking or writing about. Of course, Mario des Monaco sang Siegmund! 1966 in Stuttgart (not a real huge opera house) and the only one, who was blown off the stage was Mario del Monaco himself… Because singing one aria or monologue in a concert or singing the complete part in a real performance on the opera stage, this is a very, very different experience… Greetings, William
@blauauge2 The words are important to you for you are fluent but for the general public im sorry to say that it does not make much difference but I concurr with you , for when i hear Domingo or Careras sing in english It hurts my ears.When i hear many non italian tenors sing in Italian it also hurts my ears except for a select few.MANY people hear Paul POTS sing NESSUN DORMA and they think he is wonderful. I think hes horrible. When i listen hear i only hear vocals&tone i dont know the language
@sugarbist it does`t matter how my italian is. i don`t sing italian in public. but the words for wagner singing are very important, so….
@blauauge2 How is your italian,I hope its better than his german
@baritonedimitrov Thats possible that the german is horrible But perhaps thats the way many german singers are viewed when they sing in italian or perhaps you may not think thats possible. By the way how are the vocals here?
@blauauge2
The german is horrible in general for singing my friend i know it from personal experince:)
his german his horrible.
Some how with all his Italianate passion, he really makes the Character live, I can see a Sigmund!
it is good,but there are a lot better like Vickers for example
He would have sold out Bayreuth .
@piasecznik Not a “standard” performance, but a “modern” performance. Now go listen to some recordings with Furtwängler, and you will hear how it should be done.
@tenortobe I agree completely!
Io ho sempre fermamente ritenuto DM la quintessenza del cattivo gusto e dell’incultura, e anche qui si conferma. Con quel portamento a 2.30 che fa rizzare i capelli in testa o a 5.30 lo stile preso direttamente da Tu ca nun chiagne, o il vocione da lupo cattivo a 6.40 (ma il Wurm non sta in Siegfrid?).
Detto questo devo ammettere però che ascoltare oggi questa musica con quel timbro di voce fa capire quanto perda il povero Wagner ad esser cantato sempre e soltanto da delle autentiche capre.
Viva MDM! Non posso dire altro. Un saluto da VivaRenata.
Wagner cantato con il cuore,con le budelle,con il sangue….una vera voce da superuomo!!!!
fatelo sentire a Klaus Florian Vogt mattina e sera, così cambia lavoro!!!!
He’s doing that better than I would have expected, but this is terribly slow. It’s at like 60% of the speed of a standard performance.
listen to all that “wild & nasty” sound quality like an “animal”….all great singers of the past have it……
As a voice student……I am listen to all these “old great singers”….for that quality……”the animal spirit”
@wittest
Are you serious? you can’t be
Extraordinary… simply… extraordinary!!!
Commentate pure a favore o contrario a questo tenore, ma una cosa è assolutamente vera: una voce del genere, dopo aver cantato in quell’epoca , più di 190 Aida, 230 Andrea Chenier, 400 Otello, ecc. trent’anni di carriera, credo non abbia riscontri in nessun altro cantante lirico, di questo mondo, per di più la voce è ferma e limpida, a parte qualche suono fuori dall’interno, ma sempre con un autocontrollo esemplare. un saluto
mah!!!
Fiati miracolosi e voce miracolosamente intatta! Fenomeno!
Qualcuno ha la versione di Lohengrin a La Scala di Milano (1957… grazie